ragazine.cc

the on-line magazine of arts, information & entertainment

a collaboration of artists, writers, photographers, poets, travelers & interested others ...

Home ]

Last Edited: Sunday, August 16, 2009

 

 

ART

June-July 2009

 


 

The purgatory 

of Lea Barozzi

 

"Spider Girl"
Oil on Canvas

 

 

 

"Praying Mantis"
Oil on Canvas

 

 

 

 

"No One Is Free"
Oil on Canvas

 

 

 

"Lacivious Bibliotecaria"
(The Librarian)
Oil on Canvas

 

 

 

"Lasius Alienus"
Oil on Canvas

 

 

 

"Requiem"
Oil on Canvas

 


 

Lea Barozzi

      

Los Angeles artist and illustrator Lea Barozzi, in and out of character

Lea Barozzi moved to Los Angeles eight years ago to be an actress. Since then she has fought Angels and Demons for possession of her unborn child's soul, went on to become a Chemical Engineer, a Mob Boss' Bikini-Clad Girlfriend, a Guitar-Playing Beat Poet, a Butch Lesbian, and, she killed a man -- but not in Reno. "It was here in Cali." After deciding acting is not for her, Barozzi went back to school. "Art," she writes, "spoke to her little black tortured punk rock heart in a away that acting never had. Now she is much happier painting demons then becoming them."

Q) Where are you from (geographically, and I don't mean Mars)?

A) I was born in Dearborn, MI, but we moved all over before settling in Colorado for about 10 years, currently I reside in Los Angeles.
  
Q) What prompted you to paint? who/what were your influences?
A) I just wanted to do it. I am a late bloomer in the art world. I started taking oil classes about 4 years ago.  I was really, really bad, lol, but I wanted to paint and express myself so bad that I did not give up, and now I learn something, that I feel makes me a better artist, with every piece. I had an art teacher who believed in me and made me feel like I had interesting concepts.
     My influences are Mark Ryden, Glenn Barr, Greg Craola Simkins, Glenn Arthur, Dan May, and many other illustrators and pop surrealists.
 
Q) What medium do you like best? I see you work in oils, but what about watercolors, pen and ink, charcoal, and the rest? What do you like about oils (technically)? What kinds of paints do you use? Why the preference?
A) I love oils. I like the control I have over them, I also like the tactile experience of mushing them together to get the shadows and variations you want. I cannot control watercolors, plus I like opacity. Acrylics dry so fast they stress me out. I use Old Holland Oils because they are the creamiest and the most opaque.
 
 
Q) Who is your 'favorite artist (s)'? is s/he the flavor of the day?
A) My fav is Mark Ryden. Though very popular, I think his skill level transcends the flavor of the day.
 
Q) What's art have to do with your long-term goals?
A) Well, it’s all I want to do. I want to paint and illustrate, show in galleries. It is who I am and how I support myself, now and hopefully in the future.
  
Q) Acting seems to have been a major "goal" in your life.... What changed?
    What did you like about acting? What didn't you like?
A) My whole life I thought I wanted to be an actor. Growing up away from Los Angeles, I was under the impression that people were actors for the art of it. I also though hanging out with other actors, would be like hanging out with other artists. They would be individuals, that had different view points and different likes and dislikes. Well the reality was a huge disappointment. Most other people in the entertainment biz were only in it for fame. And it was not like hanging out with artists, but like hanging out with a bunch of sheep that liked whatever they were told to like and agreed with whatever would get them their next gig. They were yuppies who liked everything the media told them to like, no matter how crappy it was! Plus it was all about how you looked. It did not matter how bad an actor you were, just how you looked and who you knew. It was too stressful for me to worry about my looks constantly. Looks come and go, I would rather develop something more interesting like my brain. I want people to like me for me, not for how I look or what I can do for them. So it was making me miserable and I quit. Quite happily! I’m a hard worker, so it was hard for me to quit, but I did not like anything about it anymore, I had had all love of it burned out of me by the sleaziness and fakeness of the business. Besides I love being happy, and even famous people seem pretty miserable in their personal lives. I decided I would rather have a happy personal life, then be a famous actor. I know a lot of people feel differently, but hey, that’s me. We all have to live life for ourselves.
 
Q) You're a punk-er at heart, but you also readily call yourself a dork... What's that about?
A) Well, most people who turn to punk as kids are outsiders. And I think dorks are cool. They usually have personalities, and are interesting and fun to hang out with. I am goofy, and love to poke fun at myself and others. I don’t mind making myself look dorky if it makes my friends laugh. And I like traditional geeky things: sci-fi/fantasy books (read every single night no matter what), video games ( I lost 6 months to World of Warcraft, lol).  And yeah I love punk, I have since I was a teenager, and that love never ever died. Punk is about not following rules and not conforming, though as an adult I recognize we all conform a bit. And the music is so full of great energy. I think you can be a punk rocker and a dork, I think most are, lol. Dork is not a bad thing, I think it just means being yourself, and not subscribing to the theory that there is some pre-laid out way you need to act and dress and talk to be cool.

Q) How do you work best? with music? In silence?With the TV on?
A) In the studio, I play music, and I enjoy chatting with the other artists I share space with. At home for some reason I turn on really bad tv, and barely pay attention, but I like the background.
  
Q) Stylistically, what's the intent of your painting? How do you see yourself developing technique?
A) My intent is to bring the viewer into the piece so that they can empathize with the feeling the painting is meant to evoke. I want them to be attracted to it but a bit unsettled also. I am constantly trying to develop my technique and skills. I like painting precisely, so I strive to be more precise and detailed with each piece. I hope to get even smoother gradients and even more precise brush strokes with every piece I create.
 
Q) Where do you see yourself in 5 years? 10 years?
A) In 5 years working as an illustrator and showing galleries, in 10 years I would like to be exclusively working on my own stuff and just showing galleries. We’ll see how that all works out :D      ragazine.cc


When she isn't painting, Lea makes a living as a graphic designer and illustrator. She is a member of the Society of Illustrators, LA, and The Professional Association for Design (AIGA). She can be reached through her web site, www.leabarozzi.com.

Artist's Statement:

The aesthetic world of Lea Barozzi is a purgatorial realm where a living fog sustains a sense of static tension and freezes the emotional states of its subjects in contemplative introspection. It is punctuated by symbolic props that engage the viewer with instant metaphorical recognition and elements of surprise which draw on our love of mystery. It is populated with little blue maidens and echoes of discarded dolls who are no strangers to loneliness but persevere to find their way in the dark out of the corners they have found themselves painted into.

Lea's art helps us to explore the perils and peace in the isolation we all find ourselves reluctantly enjoying when no one else is there.

 


Denis Bezmelnitsin:

Works on Paper

 

"Genesis"
100 x 70 cm., pastel on paper, 2008
From Italian series

 

The Demiurge
100 x 70 cm., pastel on paper, 2006
From Italian series

 

"In Exile is Silent about the Mystery"
100 x 70 cm., pastel on paper, 2006
From Italian series

 

"Iliad - The Exploits of Diomedes"
100 x 70 cm., pastel on paper, 2006
From Italian series

 

"Madonna with a Rockflower"
100 x 70 cm., pastel on paper, 2008
From Italian series

 

"Moonlit Landscape"
100 x 70 cm., pastel on paper, 2007
From Italian Series

 

"I Have Come to this World to See the Sun"
100 x 70 cm., pastel on paper, 2006
From Italian Series

 

"Metaphysician"
100 x 70 cm., pastel on paper, 2008
From Cosmogonic Series

 

 

"The Madonna"
100 x 70 cm., pastel on paper, 2007
From Italian Series

Artist's Statement:

Art is a mystery for me. 
It is a magical process of contemplating the symbolic space of entities,
it is a complex of bounded and boundless, it is an attempt to understand, comprehend and express the whole essence of the subject, it's symbol and it's out of time imprint. 

 

 

Biography:

Denis Bezmelnitsin was born in 1983 in Vladimir, Russian Federation, into a family of artists. From childhood he began to study the art and mythology of ancient Egypt, Greece, Mesoamerica, China, Africa, and elsewhere.

From 1995 to 2000, he participated in the International Charity Foundation's "New Names" program. From 1998 to 2001, he participated in exhibitions of  the Charity Foundation's "Russian Arts Help". His work has appeared in group and solo exhibitions. He lives and works in Vladmir, Russia.

For more information, or to contact the artist, please visit: http://bezmelnitsin.winterhost.org/denis_gallery.html
or e-mail: denis.bezm@gmail.com


 

 

 

Candice Watkins
Music and Light

 

 

White Work: Vessels #1 & #2, 2006
Concept & design: Candice Watkins
Gaffer: Jason Antol
Bases: Tom Sherman
Above works are blown glass vessels
lit from within with illuminated glass tubes.

 

 

Reflections 6
Illuminated Glass Tube
March 2005

 

 

Reflections 4
Illuminated Glass Tubes, 2005

 

 

Meditation Series
Transition 1

 

 

 

Meditation
Blown, carved and sandblasted glass with 14k gold leaf,
illuminated with bright white, coated neon, mounted on 12" x 12" x 12"
base with a solid state transformer, internal wiring and a rotating switch. 
Total Size: 12" x 12" x 24"
Design & Neon: Candice Watkins
Gaffer & Cold Work: Jason Antol

 

 

 

 

Meditation Series
Meditation Coil

 

 

Candice Watkins was born in Columbus, Ohio. She has traveled extensively and her work has appeared in exhibits throughout the country. She is represented by Zenith Gallery in Washington, D.C. Besides her work with light, Candy is also a photographer, has interviewed dozens of musicians, artists and others, and is deeply involved in community arts in Columbus.  Her website is: www.enlightened-arts.com. Her myspace page contains great photos and excellent jazz downloads.

Asked what she's been up to lately, Candy replies:

"I and my time travel buddies have  a new book out from Arcadia Press called "Columbus: The Musical Crossroads" -- the premise is that the travel was overland or by train;  the national road and major train lines went thru this city and the music did, too. Columbus was a major player, just like those cities that have capitalized on it more. More volumes promised. Online at Amazon and Barnes and Target and most books sellers.

Just finished the Ohioana Book Festival where RL Stein was in person -- the kids lined up for hours to get Goosebumpse books signed - Jeff Smith was there too with BONE -- hundreds of folks came.

The Jury is done for ComFest and it promises to be a very interesting group of vendors - the music committee is still working on their picks - the equipment and tents are in the works, as are permits.

We are working on the Hot Times event also - 3 days Sept 11-13 - Main and Parsons - what ComFest used to be - mellow - not jam packed and laid back - then there is HighBall Halloween where we close High street for the SNBA (Short North Business Association) -- a huge costume bash -- prizes -- national competition in fashion -- Project Runway folks -- very techno.

Bright Moments, C

 

Artist's Statement:

 It is the ability to bend and stretch my mind as well as my media that attracts me to the use of illuminated tubing. The interplay of light and dark in the physical and spiritual worlds swirling around us gives me food for works that reflect my own life journey. The goal for much of my work is to provide a peaceful stimulus as a point of departure for personal interpretation by the viewer. Many pieces are simply pacifiers for the mind, others are drawn from fantasy worlds, while some are studies in reflected light and its properties. All of the work is designed to be comfortable to live with, like a warm pair of wooly socks or a spectacular sunset.

 

 

Hit Counter

 

Home ] PHOT 09-1009 ] ART 09-1009 ] POETRY 09-1009 ] FIC 09-1009 ] POLITICS 09-10 09 ] FOOD JUN 09 ] MUSIC 0909 ] DOGYEARS 0909 ] Lynx ] about us ] Events ] ARCHIVES ]

We use iContact

All material copyright 2009 by ragazine.cc and/or the contributors, except as otherwise noted.
Please credit ragazine.cc when quoting, reprinting and referencing materials appearing on the ragazine.cc web site. 
We also would appreciate notice of when and where materials are used. Contact editor@
ragazine.cc. Thank you.