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ART
June-July
2009
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The purgatory
of Lea
Barozzi

"Spider Girl"
Oil on Canvas

"Praying Mantis"
Oil on Canvas

"No One Is Free"
Oil on Canvas

"Lacivious Bibliotecaria"
(The Librarian)
Oil on Canvas

"Lasius Alienus"
Oil on Canvas

"Requiem"
Oil on Canvas

Lea Barozzi

Los Angeles artist and
illustrator Lea Barozzi, in and out of character
Lea Barozzi moved to Los Angeles eight years ago to be an actress.
Since then she has fought Angels and Demons for possession of her unborn
child's soul, went on to become a Chemical Engineer, a Mob Boss' Bikini-Clad
Girlfriend, a Guitar-Playing Beat Poet, a Butch Lesbian, and, she killed a
man -- but not in Reno. "It was here in Cali." After deciding
acting is not for her, Barozzi went back to school. "Art," she
writes, "spoke to her little black tortured punk rock heart in a away
that acting never had. Now she is much happier painting demons then
becoming them."
Q)
Where are you from (geographically, and I don't mean Mars)?
A) I was born in Dearborn, MI, but we moved all over before settling in
Colorado for about 10 years, currently I reside in Los Angeles.
Q)
What prompted you to paint? who/what were your influences?
A) I just wanted to do it. I am a late bloomer in the art world. I started
taking oil classes about 4 years ago. I was really, really bad, lol,
but I wanted to paint and express myself so bad that I did not give up,
and now I learn something, that I feel makes me a better artist, with
every piece. I had an art teacher who believed in me and made me feel like
I had interesting concepts.
My influences are Mark Ryden, Glenn Barr, Greg
Craola Simkins, Glenn Arthur, Dan May, and many other illustrators and pop
surrealists.
Q) What medium do you like best? I see
you work in oils, but what about watercolors, pen and ink, charcoal, and
the rest? What do you like about oils (technically)? What kinds of paints
do you use? Why the preference?
A) I love oils. I like the control I have over them, I also like the
tactile experience of mushing them together to get the shadows and
variations you want. I cannot control watercolors, plus I like opacity.
Acrylics dry so fast they stress me out. I use Old Holland Oils because
they are the creamiest and the most opaque.
Q)
Who is your 'favorite artist (s)'? is s/he the flavor of the day?
A) My fav is Mark Ryden. Though very popular, I think his skill level
transcends the flavor of the day.
Q)
What's art have to do with your long-term goals?
A) Well, it’s all I want to do. I want to paint and illustrate, show in
galleries. It is who I am and how I support myself, now and hopefully in
the future.
Q)
Acting seems to have been a major "goal" in your life.... What
changed?
What did you like
about acting? What didn't you like?
A) My whole life I thought I wanted to be an actor. Growing up away from
Los Angeles, I was under the impression that people were actors for the
art of it. I also though hanging out with other actors, would be like
hanging out with other artists. They would be individuals, that had
different view points and different likes and dislikes. Well the reality
was a huge disappointment. Most other people in the entertainment biz were
only in it for fame. And it was not like hanging out with artists, but
like hanging out with a bunch of sheep that liked whatever they were told
to like and agreed with whatever would get them their next gig. They were
yuppies who liked everything the media told them to like, no matter how
crappy it was! Plus it was all about how you looked. It did not matter how
bad an actor you were, just how you looked and who you knew. It was too
stressful for me to worry about my looks constantly. Looks come and go, I
would rather develop something more interesting like my brain. I want
people to like me for me, not for how I look or what I can do for them. So
it was making me miserable and I quit. Quite happily! I’m a hard worker,
so it was hard for me to quit, but I did not like anything about it
anymore, I had had all love of it burned out of me by the sleaziness and
fakeness of the business. Besides I love being happy, and even famous
people seem pretty miserable in their personal lives. I decided I would
rather have a happy personal life, then be a famous actor. I know a lot of
people feel differently, but hey, that’s me. We all have to live life
for ourselves.
Q) You're a punk-er at heart, but you
also readily call yourself a dork... What's that about?
A) Well, most people who turn to punk as kids are outsiders. And I think
dorks are cool. They usually have personalities, and are interesting and
fun to hang out with. I am goofy, and love to poke fun at myself and
others. I don’t mind making myself look dorky if it makes my friends
laugh. And I like traditional geeky things: sci-fi/fantasy books (read
every single night no matter what), video games ( I lost 6 months to World
of Warcraft, lol). And yeah I love punk, I have since I was a
teenager, and that love never ever died. Punk is about not following rules
and not conforming, though as an adult I recognize we all conform a bit.
And the music is so full of great energy. I think you can be a punk rocker
and a dork, I think most are, lol. Dork is not a bad thing, I think it
just means being yourself, and not subscribing to the theory that there is
some pre-laid out way you need to act and dress and talk to be cool.
Q)
How do you work best? with music? In silence?With the TV on?
A) In the studio, I play music, and I enjoy chatting with the other
artists I share space with. At home for some reason I turn on really bad
tv, and barely pay attention, but I like the background.
Q)
Stylistically, what's the intent of your painting? How do you see yourself
developing technique?
A) My intent is to bring the viewer into the piece so that they can
empathize with the feeling the painting is meant to evoke. I want them to
be attracted to it but a bit unsettled also. I am constantly trying to
develop my technique and skills. I like painting precisely, so I strive to
be more precise and detailed with each piece. I hope to get even smoother
gradients and even more precise brush strokes with every piece I create.
Q)
Where do you see yourself in 5 years? 10 years?
A) In 5 years working as an illustrator and showing galleries, in 10 years
I would like to be exclusively working on my own stuff and just showing
galleries. We’ll see how that all works out :D ragazine.cc
When she isn't painting, Lea makes a living as a graphic designer and
illustrator. She is a member of the Society of Illustrators, LA, and The
Professional Association for Design (AIGA). She can be reached through her
web site, www.leabarozzi.com.
Artist's Statement:
The aesthetic world of Lea Barozzi is a purgatorial realm where a
living fog sustains a sense of static tension and freezes the emotional
states of its subjects in contemplative introspection. It is punctuated by
symbolic props that engage the viewer with instant metaphorical
recognition and elements of surprise which draw on our love of mystery. It
is populated with little blue maidens and echoes of discarded dolls who
are no strangers to loneliness but persevere to find their way in the dark
out of the corners they have found themselves painted into.
Lea's art helps us to explore the perils and peace in the isolation we all
find ourselves reluctantly enjoying when no one else is there.
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Denis
Bezmelnitsin:
Works on Paper

"Genesis"
100 x 70 cm., pastel on paper, 2008
From Italian series

The Demiurge
100 x 70 cm., pastel on paper, 2006
From Italian series

"In Exile is Silent
about the Mystery"
100 x 70 cm., pastel on paper, 2006
From Italian series

"Iliad - The Exploits
of Diomedes"
100 x 70 cm., pastel on paper, 2006
From Italian series

"Madonna with a
Rockflower"
100 x 70 cm., pastel on paper, 2008
From Italian series

"Moonlit
Landscape"
100 x 70 cm., pastel on paper, 2007
From Italian Series

"I Have Come to this
World to See the Sun"
100 x 70 cm., pastel on paper, 2006
From Italian Series

"Metaphysician"
100 x 70 cm., pastel on paper, 2008
From Cosmogonic Series

"The Madonna"
100 x 70 cm., pastel on paper, 2007
From Italian Series
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Artist's
Statement:
Art
is a mystery for me.
It is a magical process of contemplating the symbolic space of
entities,
it is a complex of bounded and boundless, it is an attempt to
understand, comprehend and express the whole essence of the subject,
it's symbol and it's out of time imprint.
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Biography:
Denis
Bezmelnitsin was born in 1983 in Vladimir, Russian Federation, into
a family of artists. From childhood he began to study the art and
mythology of ancient Egypt, Greece, Mesoamerica, China, Africa, and
elsewhere.
From
1995 to 2000, he participated in the International Charity
Foundation's "New Names" program. From 1998 to 2001, he
participated in exhibitions of the Charity Foundation's
"Russian Arts Help". His work has appeared in group and
solo exhibitions. He lives and works in Vladmir, Russia.
For
more information, or to contact the artist, please visit: http://bezmelnitsin.winterhost.org/denis_gallery.html
or e-mail: denis.bezm@gmail.com
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Candice
Watkins
Music and Light

White
Work: Vessels #1 & #2, 2006
Concept & design: Candice Watkins
Gaffer: Jason Antol
Bases: Tom Sherman
Above works are blown glass vessels
lit from within with illuminated glass tubes.
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Reflections
6
Illuminated Glass Tube
March 2005
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Reflections
4
Illuminated Glass Tubes, 2005
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Meditation Series
Transition 1
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Meditation
Blown, carved and sandblasted glass with 14k gold leaf,
illuminated with bright white, coated neon, mounted on
12" x 12" x 12"
base with a solid state transformer, internal wiring and a
rotating switch.
Total Size: 12" x 12" x 24"
Design & Neon: Candice Watkins
Gaffer & Cold Work: Jason Antol
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Meditation Series
Meditation Coil
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Candice
Watkins was born in Columbus, Ohio. She has traveled
extensively and her work has appeared in exhibits throughout
the country. She is represented by Zenith Gallery in
Washington, D.C. Besides her work with light, Candy is also a
photographer, has interviewed dozens of
musicians, artists and others, and is deeply involved in
community arts in Columbus. Her website is: www.enlightened-arts.com.
Her myspace page contains great photos and excellent jazz
downloads.
Asked
what she's been up to lately, Candy replies:
"I
and my time travel buddies have a new book out from
Arcadia Press called "Columbus: The Musical
Crossroads" -- the premise is that the travel was
overland or by train; the national road and major
train lines went thru this city and the music did, too.
Columbus was a major player, just like those cities that
have capitalized on it more. More volumes promised. Online
at Amazon and Barnes and Target and most books sellers.
Just
finished the Ohioana Book Festival where RL Stein was in
person -- the kids lined up for hours to get Goosebumpse
books signed - Jeff Smith was there too with BONE --
hundreds of folks came.
The
Jury is done for ComFest and it promises to be a very
interesting group of vendors - the music committee is still
working on their picks - the equipment and tents are in the
works, as are permits.
We
are working on the Hot Times event also - 3 days Sept 11-13
- Main and Parsons - what ComFest used to be - mellow - not
jam packed and laid back - then there is HighBall Halloween
where we close High street for the SNBA (Short North
Business Association) -- a huge costume bash -- prizes --
national competition in fashion -- Project Runway folks --
very techno.
Artist's Statement:
It is the ability to bend
and stretch my mind as well as my media that attracts me to
the use of illuminated tubing. The interplay of light and dark
in the physical and spiritual worlds swirling around us gives
me food for works that reflect my own life journey. The goal
for much of my work is to provide a peaceful stimulus as a
point of departure for personal interpretation by the viewer.
Many pieces are simply pacifiers for the mind, others are
drawn from fantasy worlds, while some are studies in reflected
light and its properties. All of the work is designed to be
comfortable to live with, like a warm pair of wooly socks or a
spectacular sunset.
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