One Vanderbilt Rising, Spring 2018, Oil on canvas, 40” x 40”

Gwyneth Leech: Construction Sites
Paintings and Works on Paper

May 2 – June 8, 2019 Monday – Saturday, 12pm – 6pm
Special hours during Frieze Week:
Friday May 3, 12pm – 8pm
Saturday May 4, 12pm – 8pm
Sunday May 5, 12pm – 6pm
The Gallery
Clinton / Hell’s Kitchen Studios
545 West 52nd Street
New York, NY 10019
In partnership with Clinton Housing Development Company

Construction Sites, a solo exhibition of paintings and works on paper by New York City-based artist Gwyneth Leech, explores the incremental yet rapid high-rise building process as the city undergoes extensive physical and demographic changes. This timely exhibition focuses on the visual drama of construction sites across Midtown Manhattan.

In 2015, the construction of a 42-floor building began outside Leech’s studio window on West 39th Street. Her first impulse was to move. Instead, she decided to stay and make paintings of the process as the new building went up and blocked her view. “I started calling it the Monolith. It had this slab-like quality, this immovability — and it began to represent other monolithic things in my life that couldn’t be shifted. It became a metaphor for things we can’t change, but have to learn to live with and to work around in some way.”

Once the Monolith was finished – now the Aliz Hotel on West 40th Street – Leech took her new fascination with construction outdoors, painting at a travel easel on sidewalks across Midtown Manhattan. She has now spent several years documenting skyscraping building projects that are dramatically changing the cityscape, such as Hudson Yards, Billionaire’s Row on West 57th Street, the new MoMA tower on 53rd Street, and One Vanderbilt rising next to Grand Central Station.

Leech returns to certain vantage points dozens of times over many months. It is the in-between building stages that capture her imagination. “It has been an incredible experience to document these massive buildings as they rise
from holes in the ground, surrounded and crowned by tower cranes. I feel a kinship to wilderness painters of earlier times – dwarfed by massive forms, striving to capture the light and weather as it changes endlessly across a
mountainous landscape. But these mountains are man-made and each time I come back the structures have changed!”

Conversation has become an integral part of the project, as she meets construction workers and local residents intrigued by her choice of subject matter. Her experience documenting New York City’s current building boom has
led her to greatly appreciate the work of Clinton Housing Development Company, an affordable housing non-profit focused on the Clinton/Hell’s Kitchen and Chelsea neighborhoods. She is delighted to be partnering with them for the first time, in the presentation of her solo exhibition at their Gallery on West 52nd Street in Manhattan.



About Gwyneth Leech:

Hudson Yards, September 2016, Oil on canvas, 24” x 48”

Gwyneth Leech holds degrees from the University of Pennsylvania, Philadelphia, PA, and Edinburgh College of Art, Edinburgh, UK. The recipient of numerous awards and grants, including several Scottish Arts Council awards, a University of Colorado’s President’s Fund Grant, an Elizabeth Greenshields Memorial Award and a Thouron Fellowship, Leech’s artwork resides in private and public collections. Corporate collections include Brookfield, Despé Italia, Metropolitan Walters, NYC Constructors/Banker Steel, Sciame LLC and SL Green Realty.


CHDC Mission Statement

Clinton Housing Development Company (CHDC) builds community by preserving and creating high quality, permanently affordable housing in the Clinton/Hell’s Kitchen and Chelsea neighborhoods on the West Side of
Manhattan. We integrate community, cultural and green spaces into developments and provide consulting services for larger community initiatives. We collaborate with neighborhood and citywide stakeholders in both the public and private sectors. CHDC developments promote diversity and economic integration by respecting and valuing the people, history and physical character of the community. 
For additional information, including image requests and magazine spotlights, please contact Claire Lea at , Publicist, Gwyneth Leech Studio Leech’s construction series is the subject of the
multi-award-winning short documentary, The Monolith, by film-maker Angelo Guglielmo. Click here to watch The Monolith. Her construction site paintings have been showcased at Sciame headquarters, NYC (2016), in the Kaufman Arcade Space for Public Art, NYC (2018) and in gallery group shows in New Jersey and Massachusetts (2018). Leech has also been featured on NY1 television news, in the Village Voice, and in international media. 

315 West 39th Street #1306, New York, NY 10018

Image at top of page: Looking South from Sheep Meadow, August 2018, Oil on canvas, 15”x 30”